


...Compared to What?
Voted one of the best Jazz albums in 2005 by radio stations in Philadelphia and LA! "Highly Recommended", Exciting, and filled with the variety of a century of jazz
“Kahn inspires his straight ahead quintet and three guests, by providing a winning formula and then letting them run with it. The band's freedom gives this session an igniting spark that never fades.
"Compared To What" fulfills the theme of Kahn's album, as he explores all kinds of jazz territory. Soulful struttin', tender ballads, straight-ahead excursions, and Latin Jazz adventures combine into one program, as Kahn gives his audience a little bit of everything. His program reflects the total sum of modern jazz and its many branches.
Exciting, and filled with a century of jazz, the pianist gives us a highly recommended album that compares favorably to a broad spectrum of our listening tastes.”- Jim Santella
“Any leader who opens his CD with a long, legato tenor sax intro, as George Kahn lets Justo Almario do on an obliquely sublime “On Green Dolphin Street,” is more interested in creating a great recording, not showing off his own feathers.” -George Harris, AllAboutJazz.com
Released 2004
Read review by Andrew Gilbert, All About Jazz
George on Piano
Justo Almario and Eric Marienthal - saxes
John Fumo - Trumpet
Alex Acuna - drums
Brian Bromberg - bass
With special guest Courtney Lemmon
Voted one of the best Jazz albums in 2005 by radio stations in Philadelphia and LA! "Highly Recommended", Exciting, and filled with the variety of a century of jazz
“Kahn inspires his straight ahead quintet and three guests, by providing a winning formula and then letting them run with it. The band's freedom gives this session an igniting spark that never fades.
"Compared To What" fulfills the theme of Kahn's album, as he explores all kinds of jazz territory. Soulful struttin', tender ballads, straight-ahead excursions, and Latin Jazz adventures combine into one program, as Kahn gives his audience a little bit of everything. His program reflects the total sum of modern jazz and its many branches.
Exciting, and filled with a century of jazz, the pianist gives us a highly recommended album that compares favorably to a broad spectrum of our listening tastes.”- Jim Santella
“Any leader who opens his CD with a long, legato tenor sax intro, as George Kahn lets Justo Almario do on an obliquely sublime “On Green Dolphin Street,” is more interested in creating a great recording, not showing off his own feathers.” -George Harris, AllAboutJazz.com
Released 2004
Read review by Andrew Gilbert, All About Jazz
George on Piano
Justo Almario and Eric Marienthal - saxes
John Fumo - Trumpet
Alex Acuna - drums
Brian Bromberg - bass
With special guest Courtney Lemmon
Voted one of the best Jazz albums in 2005 by radio stations in Philadelphia and LA! "Highly Recommended", Exciting, and filled with the variety of a century of jazz
“Kahn inspires his straight ahead quintet and three guests, by providing a winning formula and then letting them run with it. The band's freedom gives this session an igniting spark that never fades.
"Compared To What" fulfills the theme of Kahn's album, as he explores all kinds of jazz territory. Soulful struttin', tender ballads, straight-ahead excursions, and Latin Jazz adventures combine into one program, as Kahn gives his audience a little bit of everything. His program reflects the total sum of modern jazz and its many branches.
Exciting, and filled with a century of jazz, the pianist gives us a highly recommended album that compares favorably to a broad spectrum of our listening tastes.”- Jim Santella
“Any leader who opens his CD with a long, legato tenor sax intro, as George Kahn lets Justo Almario do on an obliquely sublime “On Green Dolphin Street,” is more interested in creating a great recording, not showing off his own feathers.” -George Harris, AllAboutJazz.com
Released 2004
Read review by Andrew Gilbert, All About Jazz
George on Piano
Justo Almario and Eric Marienthal - saxes
John Fumo - Trumpet
Alex Acuna - drums
Brian Bromberg - bass
With special guest Courtney Lemmon
Add another CD for a total purchase of $20.00 - Discount Code 2CDGEORGE
Buy 3 CD’s and get a total discount of $7.85 off purchase price - Discount Code 3CDGEORGE
Los Angeles is often portrayed as a jazz wasteland, a huge, sprawling region where too many jazz musicians are looking for lucrative studio gigs rather than honing their sound. The truth is that LA boasts an impressive array of world class improvisers, but like so many other artists, they often languish in the shadow of Hollywood, which soaks up so much media attention.
Pianist George Kahn is a player who is making the most out of the Southern California scene. He cites pianists such as Dave Brubeck, Ramsey Lewis, Joe Sample, Vince Guaraldi and Wynton Kelly as role models, though his own sound also incorporates elements of New Orleans funk and Afro-Caribbean flavors. After a sold-out debut at the Jazz & Blues Company in February, Kahn returns to the Eastwood building on Saturday with his LA Session Band, featuring trumpeter John Fumo, saxophonist Andy Suzuki, bassist Karl Vincent, drummer M.B. Gordy and special guest Courtney Lemmon on vocals.
Since he started recording as a leader in 1999, Kahn has released a series of albums that feature many of the finest players in Southern California. His latest album, Compared To What?, came out last October, and it has garnered strong reviews. With Fumo and saxophonists Eric Marienthal and Justo Almario, bass master Brian Bromberg and drummer Alex Acuna, Kahn assembled an all-star cast, along with newcomer Lemmon, who makes her recording debut on the title track (made famous by Les McCann and Eddie Harris’s hit 1969 recording, Swiss Movement).
It’s a bracing advance by the gifted pianist, who has slowly but surely created a distinctive jazz identity separate from his thriving career as a composer for television. In the two decades he toiled in Southern California before he set out on his jazz journey, he contributed music to productions by BET, Hallmark Hall of Fame, Disney Animation, as well as various commercials. In addition to founding own label, Kahn has developed new avenues to distribute his music, regularly sending out MP3 files to fans who register on his Web site. Which isn’t to say he isn’t building an audience the old fashioned way.
Touring steadily over the past year, Kahn is quickly establishing himself as a regular presence on the Northern California scene, with repeat performances at San Francisco’s best jazz spot, Jazz at Pearl’s in North Beach, and the swanky Berkeley restaurant Downtown, which presents some of the region’s finest players. He’s forging relationships with veterans such as trumpeter Allen Smith, whose résumé includes stints with everyone from Ella Fitzgerald and Sarah Vaughan to Nat Cole and Duke Ellington. With his combination of ambition and talent, Kahn is clearly no surf-addled slacker. He’s making the most out of Southern California, and he’s doing his best to draw attention to the gifted players he finds there. Combinación Perfecta."